Shalimar Interchange is a useful addition in the landmark constructions of the metropolis. Constructed on the road to historic Shalimar Gardens, it is a link with our rich heritage and continuation of the artistic vision and the superb building skills that our master craftsmen possess.

Shalimar Interchange is a state of the art project constructed by Frontier Works Organisation – the leading construction organisation of the country. It is the first 3 level interchange in Punjab over the canal and the railway line and comprises of a 1.6 km Flyover, 2 Underpasses, 2 Ground Level Bridges and 11 km service roads around the site.

The flyover-bridge is of the latest design that is most suitable for the locality. Its sleek transoms (pillars) and girders radiate openness. Besides regulating the traffic at a previous chokepoint, it will provide maximum utility for the residents by uplifting the whole area, says Khwaja Ahmed Hassan, Chairman Task Force Lahore Road Rehablitation Project, I).

The interchange will greatly benefit the people of Lahore by improving the city’s traffic flow. The Mughalpura crossing – accommodating bulk of the city’s traffic, was a choke point where even the ambulances were held up in the traffic jams. The majestic flyover now conveniently connects the city with cantonment. On the canal side; the underpasses convert the canal bank road into a fast moving signal free corridor. Commuters to the Shalimar Gardens, Jallo Park and Mughalpura Dry Port will be much facilitated by the facilities of the Interchange. {Written by Husain Qazi and X-Posted from Light Within}

Mud is an excellent construction material. It is being used as a building material since prehistoric times. Mud structures can still be found in a variety of climates across the globe; In Pakistan, it is most strongly associated with rural culture. The idea of mud building is now coming to urban areas. Construction of model mud village in Lahore is the case in point.

Society for the Promotion of Art and Culture (SPARC), registered in Lahore since 1994, is starting construction of mud village for handicraft men. Prof. Dr. Norbert Pintsch (Senior Expert Service Bonn, Germany) is planning to coordinating the project and giving it a practical shape.

Prof. Dr. Norbert Pintsch is an experienced architect by profession is very passionate about mud architecture. Since completing first building project as an architect at the age of 18, Prof Dr Norbert Pintsch has been in various activities as an architect and civil engineer all his life.

In addition, Iqbal, a local builder from Harrapa, Ghayyoor Obaid, a local architecture and very interested in mud construction material, Peerzada Festival Area, a concern that is providing space for construction of mud village near world famous Puppetry Museum are also involved in the project. Beacon House University, Department of Architecture and Building Research Institute are also likely to participate.

It is not good enough to assume that “everything from the past is good. It is necessary to show,” says Dr. Norbert Pintsch who is very passionate about the project. Like national University in Colombia where students practice construction with local materials like bamboo and wood, the project will give an opportunity to the students of Beacon House University to practice what they have been learning while adapting the construction technique mixed with appropriate technology in Pakistan.

Prof. Dr. Norbert Pintsch never gets tired of talking about his passion and, given my own interest, I don’t get tired of listening about the details of the project. Hope you enjoy reading it. {X-Posted From Light Within}

Members of the Pakistani Photographers Group at Flickr have arranged a collection display of about forty photographs related to “The Other Pakistan” theme. Submitted by amateur members of the group, these amazing captures range from portraits, landscapes, and architecture to everyday life spanning over entire Pakistan including Lahore, the Northern Areas, Cholistan, Skardu and Uch Sharif.

After its first successful day (Feb.18), the exhibition will contiue on February 19 at the Students’ Lounge, Lahore University of Management Sciences. The exhibition, sponsored and supported by Bank Alfalah, is to later visit smaller cities of Pakistan as well.

Note: Pictures in this post are shared with permission from Mr. Yasir Nasir, photographer and organizer of  the exhibition at LUMS and are property of their respective photographers.

The lives of the residents of this village changed 15 years when a German art teacher took up her student Amjad’s invite and visited his village: Thatta Ghulam da Dheroka.

An enterprising spirit, she asked the villagers about their craft. The women showed her hand-made rag dolls. The art teacher, Senta Siller, (and Dr. Norbert Pintsch)  told the villagers she could teach them to make refined hand-made dolls.

Thus spun off a social enterprise in this 200-house strong village that has changed the way of life and living here. Women have a school. The village has a road. They experimented with alternative energy very early on, and now are undertaking community energy & food projects.

The women from this conservative village now go on study tours with the Germans. The villagers have learned about sanitation, childcare, and eco-friendly living. Cleanliness is rewarded here.

Above all, these changes were brought within the system, without breaking down the structure violently.

Best thing is that that “Churail” has come to Lahore now. You can visit them at Thatta Kedona, 11/7 — Allaud Din Road, Lahore Cantt, Pakistan.

by Jasmin Mirza. Book Review here

My first reaction was shock. yes, shock is the word that almost defines what i felt for days after reading those books. During my 8 years in corporate sector, I had an opportunity to live and work with people from different parts of the world. I attended training and seminars on issue of workplace diversity and gender issues. Even then this was too big a cultural shock for me to absorb.

Can people living in the same city  be so different and isolated in their values? Can all of this still be happening in modern times? Questions, questions and more questions I was left with. The adventure boy inside me wanted me to check out the Mohalla first hand. And I did. not once but three times but in none of those trips, I was able to verify the detailed descriptions of the sub-culture as defined in the books.

First trip was during day time and second one was in Moharram, so the bazaar was not open and all i saw was just the shops and ordinary people. I was impressed with the architecture of inner city though.  In the last trip, I got a glimpse of reality. It was at perfect time. 1 A.M. and I saw the same visuals as described in the books and as you will see in the documentary below. Since, I went alone, I did not dare to enter any of the so called “Office”.  Only few friends know what happened that night.

This documentary came as a surprise. It verified the contents of the books above and contains real truth about the people who frequent these tawaifs. the interview of the police office in charge is really interesting. This documentary was originally made for TV One but they did not dare to air it. so some one published it on internet. It is a real eye opener. It shows a face of our society, no one even wants mention. Download and save this as PTA might ban these URLs too. as it contains some politically radioactive content. Here is the excerpt from the blog where I originally found the links to these Youtube.com videos.

These book can be bought from here or here, both books were published by Oxford University Press and thus they should be available at FerozSons on The MALL.

A banned documentary which never came on TV. A must watch for every Pakistani and take a positive message and try to understand the true story of these Tawaifes. We call our society an Islamic society do we deserve for it? May Allah show us a rite path. Amin.

1. Watch Here
2. Watch Here
3. Watch Here
4. Watch Here
5. Watch Here
6. Watch Here

Note: Please don’t forget to give your valuable comments.

Usman Nasir’s Blog Page: Kahani Tawaif Ki Zubani – Hira Mandi

Kenny Irwin is US based artist, with Pakistani Starfleet Series on Flickr. I really love his love and dedication to Pakistan. Among his art there are lot of Lahore photos of Starfleet. Hope you Enjoy it!!!

More of his art can be viewed @ http://www.flickr.com/photos/kennyirwin/sets/72157604476547192/

Radio channels were airing a traffic report all yesterday evening about the massive traffic jam at Chowk Chauburji and the resulting chaos in and around the area. Diversions were being recommended to alternative arteries by the Lahore Traffic Police Department.

Photo by Khalid Babur at Wikipedia

For every Lahori, this beautiful monument is a familiar structure and now lies in the middle of a thriving commercial area. Shops, restaurants and offices circle the intersection where Chauburji stands reminiscent of Princess Zeb-un-Nissa’s once grand and extensive gardens.

Built around 1646 AD by Zebinda Begum or Princess Zeb-un-Nissa, daughter of the Mughal Emperor Aurangzeb Alamgir, Chauburji’s current dilapidated state is not a new sight. Go to the Shalimar Gardens; Emperor Jahangir’s Tomb; Queen Noor Jahan’s Tomb, all these places were once crown jewels among the ‘City of Gardens’ i.e. Lahore‘s green heavens and now there hardly is anything left in color there.

Our general respect for our heritage and particularly regarding such architectural wonders is as low as for the traffic rules inscribed for us by the ‘goras’ and which are considered to be followed only by the really dumb.

A visit to Chauburji gives you a glimpse into Lahore’s magnificent past and, somehow makes you sad when thinking of its unsure future.

At that time, two of these cannons were cast and are said to have been made of copper and brass. The metal for these cannons was funded by the people of Lahore who were asked to give their cooking utensils. Apart from the funds it is also believed that some metal was obtained through Jizya ( capitation tax levied by Muslim rulers on the non-Muslims).

The gun is 14 feet, 4½ inches (4.38 meters) in length, with a bore at its aperture of 9½ inches (24.13 centimeters). The gun has the date of manufacture, names of the monarch and the technician along with verses in Persian molded with floral patterns all over the barrel. The gun was used by Ahmed Shah in the battle of Panipat, in 1761. After the battle, on his way back to Kabul, he left it at Lahore with his governor, Khawaja Ubed, as the carriage that was supposed to take the gun to Kabul was not ready. The other gun he took with him but that one was lost in passage through the Chenab.

As for it’s was services, read Zamzama by wikipedia.

After the Anglo-Sikh battle of Ferozshah on December 21, 1845, the gun came into the possession of the Britishers. When the Duke of Edinburgh visited Lahore in February, 1870, the gun was placed opposite to the gate of the museum where it rests to date.